Tag: Arthur Huang

Bye-Bye 2020 at the Launch Pad Gallery

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Several artists from the Art Byte Critique collective, including myself, will be in this year’s final show called Bye Bye 2020 at the Launch Pad Gallery from December 4-14.

私を含むアート・バイト・クリティーク・コレクティブの数名のアーティストが、12月4日から14日までLaunch Pad Galleryで開催される今年最後の展覧会「Bye Bye 2020」に参加することになりました。

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Art Byte Critique Presents The Screen and Beyond

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The Art Byte Critique art collective (the ABC Facebook page is update more frequently) is proud to present our first online project, The Screen and Beyond, planned and organized by Nick West and Yuka Otani featuring works by Caitlin Brutger, Beatrix Fife, Deanna Gabiga, Arthur Huang, Patty Hudak, Eva Li, yukaotani, and me, Michelle Zacharias. Read More

Kojimachi Loves Arts!

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The Art Byte Critique group has been busy as usual! Several members exhibited at the same place but divided the time to form two shows in Kojimachi. Arthur Huang continued to explore memories of walks with his eggs and photos in the first show with Yuka Tani and Josephine Vejrich. I was still suffering from jet lag then so I forgot to take photos. Sorry! Huang and his work were, however, featured in a blog post by Mariko Ueno (Japanese).

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Fragile Memories

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Because I remembered Arthur Huang’s Memory Walks from Art Byte’s show at Hagiso, I popped by the opening and took a few pictures. The photos were gorgeous, and I still love the concept that he had for the drawings on the eggs. (I do not know how he stores them so they do not get smashed. They are incredibly fragile, right?) I will let Huang explain in his own words what he was doing.

“Tokyo Memory Walks” are drawings on eggshells which represent a walk that I have taken this year – such as going from home to the convenience store, the train station to a museum, or a bus stop to work. These drawings are made one day or more after each walk. IMG_4726For each drawing, I start at the top of the eggshell and trace the route that I took from memory. In the course of drawing, I also use symbols to indicate markers that I encounter along the walk, such as stairs, elevators, or doors. One string of eggshells represents one day of walks. The eggs are arranged from morning to evening starting from top to bottom.

“Kojimachi Interstices” is a series of 57 composite digital images created while documenting the alleyways between buildings around Kojimachi Collection, Kojimachi Station, and the surrounding Kojimachi area. Alleyways are often overlooked as we go about our daily lives. Each composite image is made up of layers of photographs for all the alleyways in a block. The layers of photographs are digitally manipulated by altering the transparency of each layer to transform these overlooked spaces into something new. For this exhibition, fourteen of the “Kojimachi Interstices” are installed as large format inkjet prints representing different parts of the Kojimachi area. The entire series can be viewed in the “Kojimachi Interstices” portfolio or upon request.

The venue was obviously not the right kind of space to show off the photos but it was part of the neighbourhood that he recorded in these pieces. Community support is good, right?

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 My snapshot has added a few more layers of images to his photos. The layers are intricate and surprisingly delicate for layers and layers of photos of urban dwellings. He supposedly had a hard time deciding between the matte and the glossy paper, but the glossy was the right decision. It is interesting how people now try to replicate what the see on their computer screens. That might have been one of the original reasons for his choice but I think it helped the photos pop off the walls in that crowded and busy space.

 

 

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IMG_4729Friends and other local artists, including Lori Ono, Koubou Deeanna, and Ruriko Clarkson, were there to offer support.

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And Huang was there to chat and answer any questions. If you want to try drawing your own walks around Tokyo by memory, he is giving a workshop this weekend on August 23 and 24.